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p.s. Hey. Back in Paris. Anyway, there's a ton of comments to catch up with, so I'll just do that now. ** Tuesday ** Thissmallplanet, Hey, welcome, thank you, it's a pleasure to meet you! I hope you saw Postitbreakup's response, as he's the B.E. expert. But, yeah, come back anytime please. ** Misanthrope, Hey. Curious dream, obviously. Probably a good thing it was a huge fucking place. ** David Ehrenstein, As soon as Congress gets done with Gun Control, ha ha, maybe they should get going on Cannibal Control at this rate. God, I so want to see 'San Diego Surf'. A couple of friends of mine have seen it and say there are incredible things throughout. ** Paradigm, Hi, Scott. Trip went really great, thanks. Oh, cool, thank you for the link to the Story of Film thing! I'll, hold on, bookmark it, done. Slow, continued jottings are the most underrated part of writing, so that sounds good. ** Tosh, I just said that you can in fact preorder the Casey Hannan book directly from the press' site, and that the last ink in the little stack of links in the post was the way to do that. I don't know if the amount of vinyl on sale here in Paris has changed recently. My experience from the beginning is that there are only three or four actually good, cool record shops here, and I think that's still the case, and they've always stocked a lot of vinyl. One of them, which only sells vinyl, is literally across the street from the Recollets. Next time you're here, I'll take you there. You'll love it. ** Scunnard, Ha ha, I certainly hope you're right. ** Rewritedept, Hey. The Lille trip was really fantastic, thanks. Mostly explored the ins and outs and curiosities of the city and its surroundings with my great Zac, dedicatee of today's post, coincidentally. ** Sypha, Someone I know, can't remember who, just read the Wilde fairytales book, and really loved it as well. ** Cobaltfram, Hi, John. Austin seems like Texas in context only. Thanks a ton for trying indoctrinate people into my stuff, and, obviously, I'm really happy that Chad authenticates 'The Sluts'. ** Billy Lloyd, Hey. Exactly, about over-thinking things. There's a weird balance between intuition and thinking that's ideal, and it seems like that as long as you just relax and keep the confidence up, it occurs really naturally, at least once in a while. Aw, sad about the sled-less hill, That is a melancholy image. It really feels like the Paris snow has done its thing for this year, but then again February is notoriously the winteriest, I think? Or it was before global warming and all that. ** Grant maierhofer, Hi, Grant! Oh, yeah, the Paulhan essay is really helpful. I always forget about that one for some reason. The Blanchot is, I think, mostly really helpful if you're a huge Blanchot guy like I am. I hadn't heard about that 'either BE or ES' thing, but, yeah, a strange logic there. If so, I think I'm an ES guy too (so far). Mm, I ... maybe I've never actually read Exley. Hunh, I can't remember. Strange. I'll find out, and I'll check the article you linked to too, and, yeah, thanks a lot! ** Robert-nyc, Please do (about the reading). Teribalanamal: cool, I'll google that straight away. What a name! You take it easy too, man. ** Zack, Hi, Zack! How really great to see you! How are you? What's been happening! Really nice to have you chime in here, and to have you here, period. ** Steevee, Good. Very interested to see what this piece is going to be. ** Statictick, Hi, N! I'm really good, thanks! Man that is a fucker of a flu! Jesus. Good thing about the nurse/assistant. Are you noticeably better than when you commented, I hope? ** Postitbreakup, Thank you, Josh! And more thank you's below! ** _Black_Acrylic, Hi, Ben. How is the improvement going now? You're being really productive, and that's certainly a sign of something. ** xTx, You're in the red lightbulbs issue too! Nice, right? Really cool piece of yours, obviously! Still no 'Billie', but it's not time to panic yet, given the messy postal line betwixt there and here. I'm chomping for it. ** Chris Dankland, Hi, Chris! Yikes, that Conor story was ... an eye opener? Great about the new poems. I'm so there. Everyone, if you click this, you'll get to read new poems by Chris Dankland, and that opportunity is quite obviously one that you should jump at now or asap. Huh, interesting, about that thing about the unprecedented book love among the Y-sters. That makes kind of total sense somehow, doesn't it? I'll go read that, of course. Thank you a lot, man. ** Polter, Hi, Polter! Oh, no, oh, I'm so, so sorry, my friend. I'm so sorry. Mine died a couple of years ago, and, oh, awful, ugh. Serious hugs. Lots of plans, yeah. Me too. I'm making tons of plans right now. In fact, one of them will, if it happens, which I'm pretty sure it will, could bring me up to where you are. A friend and I are trying to plan out a Scandinavian theme park exploration road trip. I'll let you know when it happens. Strange how different deaths have different effects, I know. When people decide to die, it's the very, very hardest, I think. Yesterday was the one year anniversary of the suicide of my dear friend the artist Mike Kelley, so, ... yeah. I think we're past the snow here, it's so sad. We had pretty good snow for Paris this year at least, if only for, like, a week. Love is so important. Sounds so dumb, but it's so important. I'm feeling a lot of it right now, and it's so amazing. I send you tons and tons of what I've got. ** Wednesday ** Postitbreakup, Hey! Thanks again so much for the post and your attentiveness to its followers. I actually haven't had a chance to go through the post and see if there's a clincher for me, but it's on the schedule for today or tomorrow at the latest, so I'll let you know. ** Misanthrope, Hey. I had an amazing trip, thank you. ** MANCY, Hi, S! Fantastic book, if you ask me. Picking it up should, I think, confirm that opinion maybe? ** David Ehrenstein, Hey! Ha, I remember that 'Time Bandits' thing. I had completely forgotten that. ** Sanatorium, Ciao, Santorium! Wow, hm, I can't remember what the video is where I talk about the paranormal. I'll try to remember. Hunh. I have a maybe idea, and I'll go check to see if I'm right asap. Thank you a lot for the interest! How are you? ** Rewritedept, Hi, R-ster. ** Tonyoneill, Hy, Tony! You're back again! Yay! Oh, thank you a lot for the directive to the short film by the director you're working with. I'll watch it just a bit later. Totally understood about it being too early to talk about the script. Sure, of course. Really, it's so nice to have you back, man. I missed you. ** Tosh, I assume it was okay to include that great video of you talking about Roussel. So cogent! ** Zack, Hi, Zack! ** Steevee, Cool, thank you for the review link! Everyone, please use this link to go read the eminent Steevee's no doubt definitive review of Dror Moreh's film 'The Gatekeepers' over at The Daily Beast. ** Un Coeur Blanc, Hi! So true about Roussel. He's just incredible, and I agree about Foucault on him. I'm excited for your gift. I'll watch for it. Thank you! I hope your work went well. ** Will C., Hi, Will! It's great to see you! Good, good, way better than good about you plunging back into the writing, and the progress that you had already made by your commenting time! I'm excited to see it! Congrats Feels so great, doesn't it? ** Alan, Hi, Alan. No, I don't think I know anything about those post-humously published plays. Wow, no, I don't think I've heard about them. I guess they must be published over here, but not translated? I'll ask around. ** Bill, Hi, Bill. Casey's book is really, really good. You'll like it. Lille was really great. Mostly just investigating the place with my friend Zac. Seeing what it has to offer, and luckily coming across all sorts of topnotch, strange things, both trumpeted and accidental. It was extremely happy-making. I think I'm good for the Butoh post, but I will give it another look and see if it needs more meat or anything, and I will ask you for more advice, if so. Thank you a lot again, Bill. Yes, very sad about Butch Morris. Big loss. RIP. ** Anonymous, That you, Josh? If so, gee, thank you! You're so sweet. Right back at you full on. ** Thursday ** Armando, Hi, Armando. Well, hopefully it'll quell your sadness to know that, in the great majority of cases, from my perspective/ experience at least, those slaves are mostly just playing out their fantasies harmlessly online. Most of them probably don't even look like that. ** David Ehrenstein, Ha ha, hi! ** Rewritedept, Well, I would assume that LilSalo at least knows 'Salo's' reputation. Miles Davis = good. Yeah, I think that, with the MBV album, best to put it out of our mind and wait to be surprised some day/ month/ year/ decade. Yes, Joel seems to be digging through my old photo stash quite healthily at the moment. I already talked about the Lille, but, yeah, it could not possibly have been more pleasurable. An island of sanity, if that suits your needs. Where are you with your book now? Dude, get your confidence up. You've proven that you have every reason to be cockadoodle-dooing. I'll find some kimchi somewhere and bite it. You've gotten me heavily intrigued. Or I'll wait until Vegas. No, I'll try some here as an appetizer. 50 isn't so bad. I guess the stigma of that age is probably heavier in advance for women. Hope the doctor gave you the all-clear sign. ** Dungan, Hi, Sean! Oh, man, I just put that link in another browser and opened it and, wow, yeah, that's some pictorial heaven right there. I'll be clicking like a hen pecks in just a minute. You know how in love I am with old Paris. Thank you, so, so much! You good, you great? I sure hope so. Love to you! ** Steevee, Happy post-dentist visit! ** Schlix, Hi, Uli! Man, I keep forgetting to thank you for that book you sent to me. It's so amazing. I showed it to Gisele, and she lost her mind. She 'demanded' to borrow it, and she's still scanning it, which is why I keep forgetting to thank you, but, yeah, what a total treasure. Thank you so much, man! You saw 'TIHYWD'! With the new dancer! Those were the very first performances with the replacement for Margret, with whom we made the piece, but who can't perform in it anymore. I haven't seen it with the new performer yet, but I will on Tuesday when it plays within a short RER ride from Paris. Awesome! Thank you again and for everything, my friend! My trip was great, and I'm doing really, really well. ** Kyler, Happy birthday! Everyone, it's d.l. Kyler's birthday today. Do something wild or very respectful or both on his account in the next 24 hours please! Exciting stuff? Excellent timing there. I haven't seen your FB message, but I'm really bad at checking my FB messages. When I read it, I'll backdate it. Happy happy happy! ** Bill, I thought they were an excellent bunch too. Multiple acronyms notwithstanding, ha ha. ** Ken Baumann, Ken! Whoa, weird, cool, about the 'Weak Species' connection. Yes, let's see .... This director Dan Faltz made a short film based on part of 'Closer' and some of my poems. It turned you really well, and there was interest in turning into a feature, and that's happening, although I don't know exactly what stage it's at right now. I think it could be quite good. I like him and his ideas/plans, and the short was real good. So, yeah. How trippy it would be if Aviva ended up in it. I love the Sator redesign. Everyone, Ken Baumann just did a redesign of the home page of his superb press Sator, and you really should go check it out. It's a serious beauty. Go! I did see that note on FB about Aviva's threat. That's really genius of her. And it's working like a charm, it would seem. So good! Super! Actually, my friend Zac, who I was in Lille with, and I are talking about doing a mutual self-imposed get away to some remote-ish place ere too long to kind of psych/force each other into finishing our projects, 'cos I need some kind of push to get my novel done since I'm working on it again, but not with the force I should. Maybe a threat on top would be good, hm, I don't know. Anyway, so glad you're hard at work on the novel, and even it being 'tough' sounds really good. I saw photos, again on FB, where else, of the actual Solip book! Yes, that was so exciting! This is going to be the best year ever! Cooking, nice. I don't think I have the patience. My hunger is like a kung fu move or something. Me? Oh, I think I covered that maybe? I'm really good. Things are great. Life is fantastic these days. Happiness is such a rare and gratitude-magnetizing thing. Yeah, I'm doing great, thank you, pal. ** Right. We're caught up. We're off and running, etc. I hope you enjoy the hopefully feast-like, flat, very long, probably very slowly loading (sorry) rectangle of grandes roués. See you tomorrow.
21 comments:
Dennis, I've never been on a ferris wheel! Rollercoasters, yeah, but never a ferris wheel. They seem much scarier than coasters.
Great about the trip.
Now I have a trip...in the snow. Or flurries. Or whatever the fuck it's doing out there.
Hey Dennis,
Oh, Ferris wheels. I had this really beautiful moment, years and years ago, when I was in a Ferris wheel with an adorable straight friend and somehow I think he mentioned (jokingly) that people must get head up at the top all the time, in that minute where it stops. A deeply erotic fantasy there for me, which of course never went anywhere. But they always leave me with happy memories.
We're watching 'Kwaidan', a Japanese movie (or collection of movies) from 1965. Have you heard of it? And I'm still reading noir masters -- Postman Always Rings Twice. And the Tumblr is going strong. Still poor. Book goes to market next week or week after. Not thinking about it. Have the house to myself and I'm setting like a 2K word goal on my genre novel just so I don't piddle the day away on Grindr and Playstation. Glad to hear you're in a happy place :). So am I, though this sounds sort of wistful on my part. I'm actually in a really great spot, I think. My life is definitely better than it was this time last year and I'm incredibly grateful for it.
Chad still likes 'The Sluts.' Not sure if my friend has started either of your books yet. We may be in Austin for the Superbowl on Sunday, if Chad's schedule works out, for festivities there. I don't really care that much about the game itself, but it's a good excuse to leave town.
That it? I think that's it. Oh, sometime, I still want to Skype-chat about AIDS in NYC, but maybe we can save that for a few weeks down the road, ha ha.
'Til soon,
J
(Oh! Really liked 'The Body'. Made me want to finish my own short thing.)
i can't wait to digest the new Red Lightbulbs! Didn't realize YOU would be in there along with so many fantastic writers and poets! DANG!
Billie is slow. She's probably checking out the sites. So happy to be out in the world like the big girl she is!
xoxox
What great eye candy to wake up to today. Ferris Wheels make me....nervous. The only song I really like by Elvis Costello is "The Comedians" sung by Roy Oberson on his last album. I mention it because it has great imagery of a ferris wheel, where the singer is stuck on the top and he looks down below seeing his love one being taken away by someone else. There's a lot of poetry with respect to the Ferris Wheel.
Anytime I am in a Dennis Cooper world it is always a good thing! Happy to be part of the Roussel world as well.
d-
oooh, psychedelical! once when i was in the 5th grade, i went with my GATE class (that's the class for smart assholes like me that i was in in elementary) to dana point to spend the night on that old ship that's harbored there and like be pirates for a night and the same night my mom took my brother to the ferris wheel in anaheim maybe? i don't remember which one they went on, just that the next day my brother was so stoked cuz the guy let them get a bunch of free rides because my mother was 'such a looker' (her words, most likely).
yeah, i know i'm like talented or whatever. i just always laugh cuz i seem to make people think that i'm like really self-assured and confident when the truth is that i question everything i do constantly. i guess that's usually how it works, though, right? the people who are too dumb to doubt themselves are also the people who are too insipid to make good art? i'm mostly done with the book, it's just in the final layout stage. i was going to get things done yesterday, but i went by my drummer's place after my dr's appt (nothing interesting, just my monthly visit for suboxone). we were planning on having a band meeting and getting that stuff all taken care of so we can start existing again. and then going to see django. instead, we went out for pho (vietnamese soup, it's soup-er good haha) and went back to his place and played some music and like planned on taking care of all that stuff but then we went to our bass player's and instead of seeing if he was still into the project and whatnot, we ended up going along to the movie where we found that our drummer's girlfriend was at mandalay bay with her coworkers and she was really drunk. so we skipped the movie and skipped the meeting and went and got drunk instead. i guess it's a good thing, cuz i so didn't have the money to go to a movie and aimee (my drummer's gf) bought the drinks last night. she kinda spoils us.
i did get one thing accomplished yesterday, which was that my drummer and i did a music swap and i gave him a buncha new tunes and grabbed some stuff off his computer that i'd been meaning to get hold of. like an old akimbo album. some dk. a bunch of beefheart. odyssey and oracle by the zombies. smile. etc. oh, and he got me a mission of burma shirt when he was seeing them out in new york a couple weeks ago. lucky fucker. i wanna see burma. actually, i'd gladly give both testicles and probably my right hand to go on tour with those guys, like even just doing merch. they wouldn't even have to pay me.
so i have to ask, because it made me think it. in that picture that joel uploaded where you're all 70's'ed out with yr feathered hair and wide lapels, are you wearing a velour blazer? cuz that's pretty awesome. i mean, it's awesome either way. but. well, yeah, you saw my comment on the pic, i'm sure. you wild and crazy guy, you.
so james brown came up on my shuffle just now, and it reminded me that the last time i heard this song ('sex machine'), i was at work. and i choked out one of my coworkers for interrupting my JB's dance. i used the exact words, 'motherfucker, do NOT interrupt me when i'm listening to the JB's.' it was pretty funny, although i may have scared him. i always forget that i'm older and probably considerably more unsettled mentally than anyone i work with.
i'm glad you had fun in lille. i am getting everything ready for my trip to reno for my birthday. and then saving up for coachella. which isn't going so well at the moment. but will go better on my next paycheck.
ok, gotta go get ready for work and probably another busy night out. i'm not gonna check the mbv site, especially if there's no news on pitchfork. and there isn't. and fuck, i checked. it's still the same. ok. talk soon.
-me.
Latest FaBlog: “How’m I doin’?” YOU’RE DEAD!!!!!!!!
Hello Dennis.
Wow, this is beautiful and amazing. It's awesome. Thank you! One of the most beautiful post so far this year.
I've just read your 'Lead Singer'. Great! These days I'm reading 'Dead Girls' by Richard Calder, it's ok, it's not as great as some people say but I think it's good. There is a second book called 'Dead Boys' and a third book called 'Dead Things', have you read any of them? Ah, thank you for what you know.
hi dennis,
"You Spin Me Right Round Baby" from Dead or Alive starting playing in my head while viewing this post. I kind of wish I could go to an amusement park now.
My reading was a good time had by all. Although a bit nervous as expected, I felt very comfortable in the space, and the two owners of the Bureau of General Services--Queer Division, where the reading was held, are two of the nicest fellows out there. Their enthusiasm for all of the poets' work was so genuine and welcomed. No pretentiousness in the room which was nice. It felt like a success, and friends who never heard me read (or heard my work in general) really enjoyed it. And the other two poets kicked ass. I'm hoping the owners of the bookstore find a permanent home for the establishment, as it's currently just a pop-up bookstore in a gallery. I really want to have my book release party with them in the fall.
Oh, if you're interested, my boyfriend posted recordings of me reading at this event on my FB page. Not the best quality, but whatever works.
Glad to hear that you enjoyed your travels.
Best to you,
Robert
@ DC, the meds are no magic bullet but I feel good for having done something. They might still take a few days to kick in properly. It's been a good call to have some time off work though, and also to get a few bits and pieces written here and there.
More exciting Yuck 'n Yum news: our spring launch will take place at The Arches in Glasgow. It's a huge underground arts venue and we're really honoured to be asked. Not for a while, but the future's looking rosy. You'll be kept posted, naturellement.
Hey Dennis. This is a great post. I happened to have 'Johnny Optimist' swinging in the background as I scrolled through, and that worked very well.
Keeping busy I hope. Is the writing still going? I've got back into it recently, came back with a fresh pair of eyes etc.
Have you got round to listening to You're Nothing yet? Been 'spinning' all week here. Love it. As for films, I saw Argo recently, which I thought was pretty great. Perks of Being a Wallflower also, though I can't make my mind up about it. One minute I was cringing, the next kind of enjoying it. You managed to see anything fantastic lately? OH SHIT, and Cloud Atlas...batshit crazy film, but fantastic for that reason. Hugh Grant as cannibalistic barbarian. For real.
That's cool about Euroheedfest. Obviously would be great to see you, although I still need to buy a ticket, and decide whether to have a crack at the karaoke. Should be a great evening though.
Enjoy the weekend!
Dennis!
Excellent on WEAK SPECIES! Hopefully it rushes through development and gets made made made. Yeah, that'd be so righteous if Aviva ended up involved.
Thanks so much for the SATOR italics.
Yeah, I think the financial threat is the thing that empirically is most proven to work. You of course need someone to hold you to it—my Aviva, your Zac—but the potential pain of losing the cash is the thing for most people, apparently. DO IT! Join the self-blackmail club.
So glad to hear you're in fine spirits.
Yours,
K
Dennis, oh, the book, you are really welcome. I found it in a second hand bookstore in Heidelberg. I sometimes meet my best friend in Heidelberg which is in the middle of the places where she and I are living and it is a nice old town. And always when we meet there we get lost in that second hand bookstore. We found that book I think three years ago and my friend took it home. One or two years later we found another copy at the same place and it was clear that we send this copy to you (We all saw Kindertotenlieder together in Hamburg and my friend and my wife also TIHYWD).
If the scanning of the book takes too long or if Gisele wants also a real copy I could try to get one more copy.
The new dancer in TIHYWD! I did realize that after the show and just because of the names on the program. I would say it was a great performance. And also the birds did behave. The owl was cool.
Slate got back to me about my pitch re: Soderbergh's Liberace movie. Their regular TV critic is going to cover it, and they want an unusual angle. Not having seen it yet, it's difficult to pitch one. I suggested Liberace as glam-rock pioneer and ancestor of artists like Lady Gaga and Adam Lambert. I'd be interested in writing about the film as a gay love story too, if that's the tack it takes.
Soderberh told me it IS a gay love story.
This isn't the first Liberace bio[ic.Several years back Victor Garber played him in a TV movie written By Gavin Lambert
That's interesting to hear. If only Garber had been out of the closet back then!
The Skinemax-style faux-lesbian antics in Soderbergh's forthcoming SIDE EFFECTS don't raise my hopes re: his ability to do justice to a gay love story, but we shall see.
Is this a bad time to mention I've never been on a ferris wheel? Heh heh. My fear of heights is such that I can go on crazy roller coasters and such, but ferris wheels are too much for me. Just the thought of being in that little cage-like thing, high in the air...I can't deal with that yet. Although judging by movies, half of the romantic shit in life happens on ferris wheels so maybe I should get over my fear.
Lovely post too! I like the random guy with the big (surgical?) scar.
Dennis, thanks for the warm welcome! Things are going well for me personally. It feels like the literary scene around the Detroit area is starting to pick up some. I was at a new-ish record store last weekend, only to find out that they've been doing readings there for about 2 months. From what I hear, they plan to keep it monthly as long as people are interested. If things like that keep popping up over the next few months, I'll be happy.
Yes, the unfinished play and poem I was referring to were only discovered in the late 80s and have not been translated. I know “La Seine” exists in a French-language edition. This is a description from a piece by Mark Ford in LRB:
La Seine and Claude et Luce, the two most startling additions to the Roussel canon discovered among his papers, both derive from this period. La Seine (probably composed between 1900 and 1903) is one of the strangest plays ever written. Its opening act suggests a wholly standard domestic drama: Raoul suddenly decides to leave his wife and child for his mistress Jeanne, whom he has rescued from life on the streets. The enormous second act, almost five thousand lines long, presents an evening spent by the couple at the Moulin Rouge. They are, however, by no means its sole concern; Roussel introduces character after character, and the act unfolds as a seemingly endless series of new people, new conversations, new stories, from grisly murders to mild flirtations, from aesthetic theories to unsettling dreams. In all, the play offers over four hundred speaking parts and would take the best part of a day to perform. Act III, set in the Bois de Boulogne, is just as discursive. Only in Act IV does Roussel think to return to his narrative: Raoul, now abandoned by Jeanne and tortured by jealousy, hurls himself from a bridge into the Seine. A related fragment, ‘La Tonsure’, projects a different outcome; here Raoul has become a Trappist monk, and a remorseful Jeanne arrives at his monastery to beg for his return.
continuing:
La Seine runs to roughly seven thousand lines. Claude et Luce is much longer, nearer twenty thousand, and even so far from complete. It’s harder to date than La Seine, but was certainly composed before Roussel evolved his procédé at around the age of thirty. It exists in various states of transcription, from sketchy worksheets to revised fair copies, and presents a number of editorial difficulties. Hundreds of pages of Acts II and III of its final section are only roughly drafted; many consist of a few scattered words per line, and some of not much more than rhyme words jotted down the right-hand side of the page. There follows an extended, densely written plot outline, and then a final plan detailing further narrative developments. The whole cycle consists of some 2900 pages of manuscript, not all of it easily legible.
Its main plot is not, however, any more complex than that of La Seine. Claude works in a bookshop and Luce as a seamstress. One Easter Monday they take a trip on a pleasure boat to the Bois de Vincennes. Parts I and II both consist of crazily minute descriptions of every aspect of this outing. Roussel devotes pages and pages, for example, to charting the progress of a series of soap-bubbles blown by a young boy on the terrace of a café where the couple stop for a drink. As in La Seine, an obsession with circumstantial detail continually overwhelms the storyline’s all but arrested progress. Part II breaks off late at night in the wood with Luce seemingly on the point of succumbing to Claude. A fragment appended to this section presents a different evening that ends more explicitly, with Claude and Luce embracing behind the locked door of her room. A rough outline suggests that Roussel intended the poem to end, like La Seine, tragically: Claude has left to take up a job in Africa, Luce is pregnant, dismissed from her job, homeless and preparing to sleep à la belle étoile. Yet another draft of the ending has the abandoned and visibly pregnant Luce confronting Claude, who is now accompanied by a new girlfriend, at the Moulin Rouge.
The third part of the poem, however, turns away from its principals. ‘A l’Ambigu’ (a now defunct Parisian theatre) describes a gruesome melodrama attended by Claude and Luce in which a gang of criminals attempt to blackmail the wife of a dissolute rake found murdered in the Bois de Boulogne by making public her son’s illegitimacy – or at least this seems to be the main narrative, but others proliferate around it with furious abandon. In addition, Roussel makes use of the intervals in the play to offer us the young lovers’ impressions of the performance they’re witnessing. One thinks of Henry James’s remark in the Preface to Roderick Hudson about the artist’s need to draw a circle around relations that really stop nowhere: the young Roussel seems unaware of this need. Texts like La Seine or Claude et Luce might continue for ever, mesmerically in thrall to the world’s banality and open-endedness.
Dennis, btw, would you know anything about what kind of advances nonfiction titles get from the larger New York publishers? Like what the lower end of the range would be? Also, can authors negotiate the kind of marketing their book will receive? I realize you may not know but asking just in case.
i know it's like the only GBV song i know but it still seems fitting, "as we go up we go downnnnnnnn"
this is still postit, sorry for all the back and forthing but with all the job apps i have to use my formal email and then blogger makes it such a pain to switch back to postit email
if you end up picking a bright eyes song lemme know
i've known many zac(h)s but the one that spelled it zac i remember from HS, he wrote in print block capitals, always, and had a very nice butt, and you know i don't even notice butts usually
#wmOhw
Victor has never been in the closet. Because he as always been a supporting player, rather than a star, he's never faced press or public scrutiny.
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